I’m giving a talk tomorrow, entitled “Adventures in UK Underwater Photography”, to Aldridge Photo Club. If anyone would like to come along, you’d be welcome.
Aldridge Community Centre, Middlemore Lane, Aldridge, WS9 8AN. 7.45 for 8pm start.
Aldridge Community Centre, Middlemore Lane, Aldridge, WS9 8AN. 7.45 for 8pm start.
It has been my pleasure and no small responsibility to judge the work of the Photosub underwater photography group as guest of honour at their annual dinner, it was my task to pick out winners in advance from the four digital categories and on the evening from the print competition. Photosub is one of the oldest UK underwater photography groups and boasts a number of prominent UK underwater photographers. As a photographer it was humbling to pick out winners from such a high standard of work, but also a valuable experience to objectively critique the work of others. Thank you, Photosub; it was a pleasure to be the guest of such an active, passionate and talented group of underwater photographers!
Here I am with the competition winners.
Underwater photographers tend to take a different view of dive sites on a trip to non-shooting divers. We will often be keen to keep returning to the same site repeatedly on a trip rather than trying to see a different site on each dive. So it was on a recent trip to West Scotland, I dived in only two sites. In each of two sea lochs, I dived in a single area. However these were very much contrasting locations, one a very clean high energy site needing slack water and the other a slightly murky low energy spot. Each is home to unusual but “locally common” species, well worth braving the 6-degree water temperature for.
Loch Duich is home to the impressive fireworks anemone and the maerl bed of the narrows at the head of Loch Carron is home to hidden flame shells, as well as a mass of macro subjects. Here are a selection of images to give a flavour of the sites.
First of all, Loch Duich:
And here’s North Strome on Loch Carron:
It’s been a while since I played with remote strobes, so this weekend (having been been blown out by poor Bank Holiday weather) decided to try this technique in a local quarry. In a bid to get the creative juices working at a less familiar site, my buddy and I picked the National Dive Centre in Chepstow, a location I have dived less often than other fresh water sites in the Midlands.
The idea with remote strobes is to light a subject without using the strobes attached to the camera. This has the advantage of using a light source close to the subject but further away from the camera and so giving good lighting but with a minimum of backscatter.
The NDAC, like many quarries has a lot of scrap metal and I chose a Wessex helicopter as my subject. The aircraft was reasonably intact and has a large (dark) internal space. There’s a lot of setup time needed for remote strobe work and I was privileged to have a buddy prepared to set aside his camera and carry the extra strobes for me. It was just as well really, as of the two strobes I was hoping to place, one of them refused to work at all (despite having worked when I tested it before the dive). The vis was quite good (about 8-10m) and so I tried working from further back than usual, to catch the whole aircraft. I tucked the strobe (a Sea & Sea YS-110) inside the doorway, set on half power and pointing inward toward my buddy, who swam slowly out of the doorway.
The exposure was set as if for available light only, with the ISO high enough to provide a shutter speed fast enough to freeze the bubble motion (1/100s); since I was at least a few feet from the nearest part of the wreck, an aperture of f/8 was enough to ensure the whole frame was in focus. I used a single strobe on a low power setting solely to trigger the remote strobe.
I had my buddy shine a torch towards the strobe so that the flash light is “connected” to the subject. It takes a lot of practice to get all the aspects of this technique right and in hindsight, the strobe is not far enough behind the doorway, some flare is still visible. The diver is perhaps rather small in the frame and so the effect of the remote strobe is rather subtle; on the whole I think it needs a smaller subject, so that I can have the whole wreck but with the diver larger in the frame. Just another reason to go back and try again…
A dive in the clear blue waters of a secluded quarry, whilst the early Spring weather is doing its best to stir up the vis all along the coast? Yes please- win win, surely! Well, that was till I saw the hill I had to walk up to reach it!! The hidden quarry is located about half a mile along a very steep path leading up from the road.
The Blue Lake is a quarry near the Welsh coastal village of Fairbourne, on the edge of the Snowdonia National Park. It is a rather odd experience to march in scuba gear up a very steep hill and, reaching the top to see the coast spread right across the view, turn away towards the craggy rocks. The quarry is surrounded by cliffs on all sides, so can only be reached through a low tunnel, once used to remove the quarry workings. The Blue Lake fills almost the whole space as you emerge from the tunnel and is indeed very blue. This colour is due to the copper in the water which inhibits the growth of algae.
My buddy Trevor and I were hoping for some undisturbed, crystal clear water to practice some wide-angle photography techniques. The lake, though small was indeed very clear, though as with many of these places, the clarity is very easily disturbed with a single unwise fin-kick.
The sheer cliff wall led down to a gently sloping bottom covered in broken slate and the rusting odds and ends left over from quarrying. Depressingly there is also quite a lot of the evidence of summer barbecues- broken bottles, rusting cans and even one or two pots and pans.
We practiced some selfie shots- me by using the time honoured holding-the-camera-at-arms-length and Trev by using a Tripod. The main challenge was not stirring up the silt. Was the strenuous pre-dive walk (carrying the scuba gear) worth it? Well, it was certainly quite a different diving experience and I am glad to have done it, but I am not sure if I am going to be back. We gave the passing hill walkers a smile though!
The first dive of the 2017 season was in Stoney Cove, my dive site of choice for a quick dip in the winter. There is always plenty to see and there are lots of subjects to practice my photographic technique on. This time I was joined by two fellow divers from the Bristol Underwater Photography group, Kirsty Andrews and my regular buddy Trevor Rees. The visibility was quite good and we were treated to some bright winter sun, which contributed to some very enjoyable shooting conditions.
I arrived home from holiday today, to find the September issue of Scuba magazine waiting for me on the doorstep. I am both delighted and honoured to find that not only does it contain my feature on shore diving in the North of Scotland, but I also have the cover shot with my image of a purple nudibranch (Flabellina pedata). This lovely image is one of two nudibranch shots discussed in the regular Photo Quest column, which I write jointly with my dive buddy Trevor Rees.
The image was one I took a few years back on the breakwater at Plymouth sound. I was very pleased with the image and entered it for several competitions, with no luck at all. A large print of it hangs on my kitchen wall and I often looked at it and said to myself “that’s a strong image”, and over time it has won me a big competition prize, as well as this cover shot. It just goes to show that sometimes you need to stick to your guns and not be discouraged.
The feature, “Two snappers, a compressor and a campervan”, tells the story of a road trip I took with my buddy. Our aim was to dive the most northerly sea loch in mainland Scotland, but the motivation for doing this was to try to find some rarely (never?) dived shore dive sites, in more remote locations away from the usual limitations of dive centres and RIB launch points. We certainly had a most enjoyable week; like any “expedition” dive trip, we had our share of dud sites and challenging clambers into the water, but it was worth it for the collection of really memorable dives we did discover.