The results of the British and Irish Underwater Photography Championships 2015 were announced today and I was delighted to learn that I been awarded both wide-angle category winner and the overall title of BIUPC Champion 2015.
The winning image was an in-camera composite of two images taken at the same site in Loch Long in SW Scotland. The competition is an on-the-day event, where competitors could capture images at any site in Britain and Ireland, but the images had to be captured within a 24-hour window and submitted electronically before the end of the day. The image made the news here too
The weather leading up to the event had not been great and the vis reports from the South coast of England had not been good, so my buddy Trevor Rees (who won the compact category) and I chose to make the long drive to Scotland from our homes in the midlands. A round trip of over 700 miles in 48 hours was worth the time on the road, as we were able to complete four dives each on the day for a total of over 250 minutes underwater. This allowed us plenty of dive time to nail the shots we wanted when conditions were perfect (and it was a lovely day that Saturday).
Traditionally “wide angle” and “macro” were types of image dictated by the narrow range of lenses available to underwater photographers. Nowadays the range of cameras and lenses used underwater produces a sort of continuum with no clear boundary between the two. I wanted to create an image which sat firmly in the “grey area” between the two and showed a small creature large in the frame, but with a dramatic depiction of its environment.
The foreground image is of a Sea Loch Anemone (Protanthea simplex) which is a very small creature common in Scottish lochs. I used a macro lens (Nikon 60mm) and a narrow snoot to make sure that only the creature itself was illuminated and the rest of the frame was black.
I then got out of the water and switched to a wide angle lens and shot a variety of shots looking up out of the water. I was attracted by the lovely green colours of the trees, seen through the water’s surface. On that sunny day, I also worked hard to create a sun burst too, although it is difficult with my camera (a 10-year old Nikon D200) and very easy to burn out the highlights.
When I had a pair of images I was happy with, I combined them in-camera with the image overlay function (I had checked in advance that this was allowed within the rules). The rules allowed for very limited editing of the image, so I adjusted levels, colour balance and sharpening on the raw files and converted to JPG.
I also spent some time with my patient model, working on a more traditional close-focus wide angle image. The visibility was about 4m, so I had to keep both my model and subject close to the camera to maintain impact. It was also a struggle against the suspended particles and the fine silt easily stirred up from the sea bed. Images taken in strong sun in the afternoon on a rising tide were definitely superior to some earlier shots with weaker light and more turbid water. This image was Highly Commended.
Being in an area with very poor phone signal, we had a bit of a pantomime being able to upload the images, but were glad to find a bar in Arrochar with wi-fi (thank-you Ben Arthur’s Bothy!) so Trevor and I could submit our images.