presentations

Photo Talk – Aldridge Photo Club

I’m giving a talk tomorrow, entitled “Adventures in UK Underwater Photography”, to Aldridge Photo Club. If anyone would like to come along, you’d be welcome.

Aldridge Community Centre, Middlemore Lane, Aldridge, WS9 8AN. 7.45 for 8pm start.

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musings

Photosub judging

It has been my pleasure and no small responsibility to judge the work of the Photosub underwater photography group as guest of honour at their annual dinner, it was my task to pick out winners in advance from the four digital categories and on the evening from the print competition. Photosub is one of the oldest UK underwater photography groups and boasts a number of prominent UK underwater photographers. As a photographer it was humbling to pick out winners from such a high standard of work, but also a valuable experience to objectively critique the work of others. Thank you, Photosub; it was a pleasure to be the guest of such an active, passionate and talented group of underwater photographers!

Here I am with the competition winners.

trips

Fireworks and flame shells

Underwater photographers tend to take a different view of dive sites on a trip to non-shooting divers. We will often be keen to keep returning to the same site repeatedly on a trip rather than trying to see a different site on each dive. So it was on a recent trip to West Scotland, I dived in only two sites. In each of two sea lochs, I dived in a single area. However these were very much contrasting locations, one a very clean high energy site needing slack water and the other a slightly murky low energy spot. Each is home to unusual but “locally common” species, well worth braving the 6-degree water temperature for.

Loch Duich is home to the impressive fireworks anemone and the maerl bed of the narrows at the head of Loch Carron is home to hidden flame shells, as well as a mass of macro subjects. Here are a selection of images to give a flavour of the sites.

First of all, Loch Duich:

And here’s North Strome on Loch Carron:

dives

Looking for skeletons

One of the pleasures of underwater photography is learning about sea life which many divers don’t even know exist. The Skeleton Shrimp (Caprella linearis) is one such species. They are not exactly tiny (up to 2cm long) and are actually really quite common. It’s just that they are very difficult to see. They spend their lives clinging to other sea life, grabbing food particles from the water. They are usually seen on hydroids, because they are easy to spot there, though they inhabit many other hosts which get them into the current, such as Dead Men’s Fingers, but are much harder to spot on those.

So it was, I spent a very enjoyable dive in Loch Creran recently hunting for these critters. They have often been photographed before and I wanted to make a different kind of image to what I had seen previously. By using a high-power diopter, I concentrated on just the head of the creature, shooting across the hydroid fronds. Shooting an abundant species allowed me to hunt down a suitable rock with a conveniently placed hydroid, so I could shoot without disturbing the fine silt ubiquitous at this site. I like this shot because it shows the shrimp through the fronds of the hydroid, like an elusive jungle animal seen through the undergrowth. The shallow depth of field of the diopter ensures subject separation by throwing the hydroid out of focus.

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On the other hand, this second capture unintentionally caught the shrimp with its claw arms wide. It made me smile because whereas the first image seemed to say “you can’t see me”, the second seemed to say “Ta-da! Here I am!!”

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Nikon D500 + micro Nikkor 105mm + Nauticam SMC.

dives, equipment

Through the looking glass…

During a recent trip to lovely Loch Linnhe, I spotted a tiny juvenile squat lobster hiding in a decaying piece of wood. I have to confess to an addiction to these charismatic creatures; I love their bright orange colour, the Popeye aggression with which the wave their claws and the intricate detail of their jointed bodies. I had promised myself that I would not shoot any on this trip, but I decided to change that to “I won’t shoot any adults” (I *nearly* managed that).

In fact this gave me a change to try out two diopter lenses for getting closer to tiny critters. On the first of two dives at the same site from a beach in Kentallen, I tried out a fairly standard +5 wet diopter and the following day, I tried out a Nauticam SMC, a much heavier and powerful lens (lent to me by a friend).

I found the SMC easier to get focussed (for both lenses, I used autofocus to get the focus to the correct position and then “rocked” to get the subject in focus). The shallower depth of field of the SMC gives a more pleasing effect, but I was more interested in how sharp the images might be – it was hard to get the images properly focused, but I am pleased wit the results from both. The SMC gives higher magnification and adds drama to the image, but its much harder to get it in focus. In particular, it is important to get ones “ducks in a row” – in other words, the points in the frame which need to be sharp must be in the same plane. This makes framing the image hard at times – I like the composition below, but I was struggling to get both of the squattie’s eyes sharp.

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Both images have been cropped from portrait format but have the full width of the frame.

Top: D500, Nikon 105mm + Nauticam SMC, ISO200 f/32, 1/100s.
Bottom: D500, Nikon 105mm + AOC+5 diopter, ISO320 f/20, 1/125s

trips

Loch Leven Sea Pens

Loch Leven is one of the smaller sea lochs. It is only just more than six miles long and very narrow – especially at one point about two miles from its head at Kinlochleven. However, it does offer some species not often seen elsewhere. Diving from its shores also offers reliable diving in any weather at any time of year. Today, the water was warmer than the air. We were searching out sea pens- long filter-feeding creatures found in quieter sites. Entering the water by the graveyard about half way along, my buddy and I passed over seemingly endless mud. At about 12m, the sea pens began to appear; this site offers all three of the native species. Pressing on, we found a large cluster of the tall sea pen (Funiculinaquadrangularis). These beautiful creatures are more than a metre tall but very thin. Seen in close up, they are lined with feeding polyps. I was very pleased to capture a splendid tall individual with several others in the background.

Our second site was further up towards the head if the Loch, beyond the narrows. Using a convenient slipway, we found a steep bank of broken stone leading to a muddy bottom at about 20m. The very fine silt makes photography very challenging, so the success rate was limited, but the eerie undulating mud, pockmarked with burrows made for an interesting dive. It did, however, yield a nice shot of a phosphorescent sea pen (Pennatula phosphorea).

dives, techniques

Remote strobes

ERB_4588.jpgIt’s been a while since I played with remote strobes, so this weekend (having been been blown out by poor Bank Holiday weather) decided to try this technique in a local quarry. In a bid to get the creative juices working at a less familiar site, my buddy and I picked the National Dive Centre in Chepstow, a location I have dived less often than other fresh water sites in the Midlands.

The idea with remote strobes is to light a subject without using the strobes attached to the camera. This has the advantage of using a light source close to the subject but further away from the camera and so giving good lighting but with a minimum of backscatter.

The NDAC, like many quarries has a lot of scrap metal and I chose a Wessex helicopter as my subject. The aircraft was reasonably intact and has a large (dark) internal space. There’s a lot of setup time needed for remote strobe work and I was privileged to have a buddy prepared to set aside his camera and carry the extra strobes for me. It was just as well really, as of the two strobes I was hoping to place, one of them refused to work at all (despite having worked when I tested it before the dive). The vis was quite good (about 8-10m) and so I tried working from further back than usual, to catch the whole aircraft. I tucked the strobe (a Sea & Sea YS-110) inside the doorway, set on half power and pointing inward toward my buddy, who swam slowly out of the doorway.

The exposure was set as if for available light only, with the ISO high enough to provide a shutter speed fast enough to freeze the bubble motion (1/100s); since I was at least a few feet from the nearest part of the wreck, an aperture of f/8 was enough to ensure the whole frame was in focus. I used a single strobe on a low power setting solely to trigger the remote strobe.

I had my buddy shine a torch towards the strobe so that the flash light is “connected” to the subject. It takes a lot of practice to get all the aspects of this technique right and in hindsight, the strobe is not far enough behind the doorway, some flare is still visible. The diver is perhaps rather smallĀ in the frame and so the effect of the remote strobe is rather subtle; on the whole I think it needs a smaller subject, so that I can have the whole wreck but with the diver larger in the frame. Just another reason to go back and try again…